Spadge Hopkins Artist
Spadge Hopkins was the lead creative for “Coda”, the permanent art memorial to Syd Barrett of Pink Floyd in The Cambridge Corn Exchange and unveiled in 2017.
Since then and inspired by the experience, alongside his other art practices he created a series of sculptures depicting some of his favourite rock icons, which often involve movement, projection, light and shadow.
The recent show in Southwold was the first time since Cambridge Live 2017, that old and new 'Rock Faces' were on show. Several pieces sold globally proving their enduring popularity and several interesting commissions were accepted.
David Bowie - Aladdin Sane
Jimmy Hendrix
Freddie Mercury
Another iconic personality from the world of 1970s and 80s rock music; Freddie Mercury is shown here in that famous pose.
Icarus
This sculpture is inspired by the logo of the record company set up by Spadges’ favourite band Led Zeppelin in 1974 which signed such acts as Bad Company.
The image in turn was informed by an 1869 painting by William Rimmer of the Greek god Apollo rather than an image of the man who flew too close to the sun; a story that has been in Spadge’s consciousness since primary school - a very long time ago!
As with all his recent metal sculptures, this is one of a limited edition of 10 and has already sold internationally.
Rory Gallagher
Rory was renowned for his battered Fender Stratocaster. This is an painstaking reproduction of that iconic guitar with the face of the maestro set inside it.
Phil Lynott
Another favourite, Thin Lizzy’s Phil Lynott is captured in steel and set within an accurate replica of his Fender Precision Bass guitar.
Inspired by the music of this amazing man, Spadge mounted a metal version of his Hendrix sketch inside the burnt out body of a Fender Stratocaster guitar. It is similar to the one Jimi famously set fire to on stage, kneeling over it and squirting it with lighter fuel.
500 x 360 x 130 mm
Spadge knew Ed quite well before the fame kicked in and although he resisted the temptation for a long time, eventually Ed, his fellow townsman had to be included in the troubadour series. 390 x 1030 x 140 mm
This is the third version Spadge has made of the iconic troubadour. His recognisable face and prowess with the guitar driven composition lent itself to this presentation. 360 x 940 x 140 mm
The music of Led Zeppelin has been hugely important to Spadge for the last forty years. It was therefore easy for him to conceive this tribute to, arguably the best rock drummer of all time, for display and use at The John Bonham Memorial event in 2018. Well-received by John's family, a film of the piece featured on the backdrop behind the various acts during the event and Spadge produced a number of complimentary pieces.
If ever there was a recognisable face that responded well to Spadge’s portrayal in steel and shadow, it has to be old rubber lips himself. 280 x 220 x 70 mm
Meeting his P.A. at the John Bonham memorial bash, Spadge was inspired to portray The Who’s frontman from the glory days of “Tommy”. 280 x 25 x 70 mm
Inspired by the music of this amazing man, Spadge mounted a metal version of his Hendrix sketch inside the burnt out body of a Fender Stratocaster guitar. It is similar to the one Jimi famously set fire to on stage, kneeling over it and squirting it with lighter fuel.
600 x 500 x 500 mm
David Bowie died during the period when Spadge was coming up with the “Coda” artwork for Syd Barrett so it was only natural that he set about capturing the mysterious Ziggy Stardust in this unique piece where Bowie rotates within a hollowed out planet.
1200 x 750 x 700 mm
Rory Gallagher
Rory was renowned for his battered Fender Stratocaster. This is an painstaking reproduction of that iconic guitar with the face of the maestro set inside it.
Phil Lynott
Another favourite, Thin Lizzy’s Phil Lynott is captured in steel and set within an accurate replica of his Fender Precision Bass guitar.
Inspired by the music of this amazing man, Spadge mounted a metal version of his Hendrix sketch inside the burnt out body of a Fender Stratocaster guitar. It is similar to the one Jimi famously set fire to on stage, kneeling over it and squirting it with lighter fuel.
500 x 360 x 130 mm
Spadge knew Ed quite well before the fame kicked in and although he resisted the temptation for a long time, eventually Ed, his fellow townsman had to be included in the troubadour series. 390 x 1030 x 140 mm
This is the third version Spadge has made of the iconic troubadour. His recognisable face and prowess with the guitar driven composition lent itself to this presentation. 360 x 940 x 140 mm
The music of Led Zeppelin has been hugely important to Spadge for the last forty years. It was therefore easy for him to conceive this tribute to, arguably the best rock drummer of all time, for display and use at The John Bonham Memorial event in 2018. Well-received by John's family, a film of the piece featured on the backdrop behind the various acts during the event and Spadge produced a number of complimentary pieces.
If ever there was a recognisable face that responded well to Spadge’s portrayal in steel and shadow, it has to be old rubber lips himself. 280 x 220 x 70 mm
Meeting his P.A. at the John Bonham memorial bash, Spadge was inspired to portray The Who’s frontman from the glory days of “Tommy”. 280 x 25 x 70 mm
Johnny Rotten
If one face and one album could encapsulate the revolution in popular music that was Punk for Spadge, it would be this.
400 x 400 x 100 mm
Artworks can be purchased from the artist. Please contact Spadge directly if you wish to make an enquiry.
Sculptures are all available as indoor or outdoor sculptures.
The indoor sculptures can be scaled up and surface treated to allow them to live outdoors.
Many of Spadge’s pieces are unique. Several of his copper sculptures have been hand made in a limited batch of 5. The process of laser cutting which is all done by Spadge himself except for the actual machine work, lends itself to mass-production. However, all Spadge’s designs are limited to a run of 10, no matter what size. They are now marked as ev (edition Variee) */10 as well as being signed.